College Performing Arts
Audition Workshop

Join members and guests of the PAISOC community for the College Performing Arts Audition Workshop on Saturday, October 17. This workshop will be an opportunity for students to learn more about the college admission process for their specific genre.

Performing Arts Genres:
– Theater
– Dance
– Music

 

Panelists

Theater

Catia

Catia is a prominent actor in Rhode Island Theatre; having most recently starred in The School for Lies at Burbage and Dance Nation at Wilbury. Catia has worked with most RI theatres in some capacity but is a resident artist of the Burbage Theatre Co. In her spare time she dabbles in playwriting and directing. Channeling her Dominican roots she is currently working on finishing her play, GOOD, which deals with themes of class disparities, income inequality and the school to prison pipeline through the scope of an Afro-LatinX family.

Alexis Ingram

Alexis Ingram is a Rhode Island native who has worked in the theatre, film/tv, and commercial industry all over the US and abroad. A graduate of Sarah Lawrence College she currently teaches at The University of Rhode Island and is a teaching artist at Trinity Repertory and The Gamm Theatre. Proudly represented by WSM Talent.

Dance

Jessica T. Pearson

Jessica T. Pearson is an Associate Professor of Dance at Rhode Island College. Ms. Pearson is a dancer, educator and choreographer who danced with the Cleo Parker Robinson Dance Ensemble, Gesel Mason and Concepts In Motion (Bermuda). An educator of the modern dance traditions has been invited to teach at Ballet West Summer Intensive, Brown University, Providence College, Urbanity Summer Intensive, University of Kentucky Lexington and has taught overseas.

Her choreography has been selected to perform at Boston Contemporary Dance Festival, Southern Vermont Dance Festival and Collective Thread (NY). Her choreography has been commissioned by Urbanity Next, Utah Regional Ballet, Rhode Island College, Salve Regina University, University of Kentucky Lexington, University of Utah and Providence College.  

Prior to Rhode Island College, she was a Post MFA Fellow at the University of Utah. She received her MFA in Dance from the University of Colorado Boulder where she studied dance pedagogy and choreography and BFA in Dance from Towson University in Towson, Maryland.

Music

Wayne du Maine

A native of St. Louis, MO, Wayne J. du Maine has been performing successfully in the New York City area for over thirty years. As a trumpeter, Wayne has performed and recorded with such ensembles as the New York Philharmonic, Orpheus Chamber Orchestra, and Orchestra of St. Luke’s. He currently holds the principal chair with the Brooklyn Philharmonic and the American Composers Orchestra. Mr. du Maine has also led the Hartford Symphony, Brooklyn Philharmonic, and Westchester Philharmonic as conductor of educational concerts. As a trumpet soloist, he has performed numerous concerti with the Concordia Orchestra as well as orchestras from Pittsburgh, Cincinnati, St. Louis, Jacksonville, Springfield (MA), and Mid Coast (ME).

As a longtime member of the Manhattan Brass, Wayne has presented and created numerous educational outreach programs for K-12 students in the five boroughs, CT, NJ, and PA. He enjoyed his 20 years as a faculty member of Juilliard’s Music Advancement Program, where he led the trumpet ensemble and was founder, music director, and conductor of the MAP Orchestra. He has also taught at Columbia University, Princeton University, Bar Harbor Brass Week, and the Bowdoin Music Festival. Wayne is currently the Director of Bands at the Elisabeth Morrow School in Englewood, NJ, where he leads the Jazz Ensemble, Concert Bands, Jazz Quintet, Rock Band, and Trumpet Ensemble.

Mr. du Maine dedicates his summers to performing at music festivals. This began back in the late 80s, when he spent three summers with the Tanglewood Music Center Orchestra performing as principal trumpet under Leonard Bernstein and Seiji Ozawa. He has since performed at festivals including Spoleto, Aspen, Vermont Mozart, Manchester (VT), Berkshire Choral, Bard, and, most recently, the prestigious Marlboro Music Festival.

Wayne has also been contracted to play many Broadway shows like Titanic, Music Man, Man of La Mancha, and The King and I. He has served as associate conductor for Fiddler on the Roof, the Lincoln Center production of South Pacific, and The Scottsboro Boys.

A major highlight of his career was having the opportunity to perform with Prince at his Paisley Park home in Chanhassen, MN. Wayne can be heard on Prince’s Newpower Soul recording.

Mr. du Maine holds degrees from the Juilliard School where he received the Peter Mennin and William Schuman Awards for outstanding excellence. He has been an associate musician with the Metropolitan Opera for 26 years. As a member of ensembles such as Absolute, Xenakis, and Orpheus, he has toured five continents.

2017-18 is his first year as director of the brass program at NYU Steinhardt.

Jordan Bak

“A star in the making,” (SeattlePi) Jamaican-American violist Jordan Bak is an outstanding artist of passion,energy, and authenticity in the recital and chamber music arenas. A Sphinx MPower Artist Grant Recipient and atop prizewinner of the 2020 Sphinx Competition, Bak is also a winner and Audience Prize recipient of the 2019Concert Artists Guild Victor Elmaleh Competition, the recipient of the 2019 Samuel Sanders Tel Aviv Museum Prizeand the 2019 John White Special Prize from the Tertis International Viola Competition. In addition to his growing solo career, Jordan Bak is a member of the celebrated New York Classical Players.

Highlights of the 2020-2021 season include debuts at The Kennedy Center, Merkin Concert Hall and The National Gallery, and performances with The Chamber Music Society of Detroit, Dame Myra Hess Memorial Concerts and the American Viola Society. He has been heard as a recitalist and chamber musician in the United States at such venues as Alice Tully Hall, Bruno Walter Auditorium, and Jordan Hall, among others, and in Europe at the Verbier Festival, the Centre de Musique Hindemith, and the Helsinki Musiikkitalo. 

The third violist to earn the Artist Diploma from The Juilliard School, Jordan Bak holds degrees from both The Juilliard School and New England Conservatory. In addition to his performing schedule, he has been invited to serve as Viola Artist Faculty for the Classical Music Institute of San Antonio, and as Guest Artist Speaker for the Children’s Orchestra Society in Long Island. Bak is on the faculty of Opportunity Music Project in New York City.

 Ashleigh Gordon

Described as a “charismatic and captivating performer,” Ashleigh Gordon has recorded with Switzerland’s Ensemble Proton and Germany’s Ensemble Modern; performed with Grammy-award winning BMOP and Grammy-nominated A Far Cry string ensemble; and appeared at the prestigious BBC Proms Festival with the Chineke! Orchestra. Comfortable on an international stage, Ashleigh has performed in the Royal Albert and Royal Festival Halls (London), Konzerthaus Berlin and Oper Frankfurt (Germany), Gare du Nord and Dampfzentrale Bern (Switzerland), Centre Pompidou (Paris), the Lee Hysan Concert Hall (Hong Kong), and throughout Sofia, Bulgaria as part of the multi-disciplinary 180 Degrees Festival.

Ashleigh is co-founder, Artistic/Executive Director and violist of Castle of our Skins, a Boston-based concert and educational series devoted to celebrating Black Artistry through music. In recognition of her work, she has presented at IDEAS UMass Boston Conference and 180 Degrees Festival in Bulgaria; has been featured in the International Musician and Improper Bostonian magazines as well as the Boston Globe; and was awarded the 2016 Charles Walton Diversity Advocate Award from the American Federation of Musicians. She is a 2015 St. Botolph Emerging Artist Award recipient, a 2019 Brother Thomas Fellow, a nominee for the 2020 “Americans for the Arts Johnson Fellowship for Artists Transforming Communities,” and named one of WBUR’s “ARTery 25”, twenty-five millennials of color impacting Boston’s arts and culture scene.

As an advocate of social change through education, Ashleigh served as viola instructor in the Boston Youth Symphony Orchestra’s Intensive Community Program, a rigorous string instrumental program that provides instruction to populations often underrepresented in classical music. Beyond instrumental instruction, she has presented lectures on citizen artistry and entrepreneurship, workshops for fellow educators on Caribbean folksongs, and guest lectured at Gettysburg College (PA), Keene State College (NH), Oberlin College Conservatory of Music (OH), and North Carolina Governor’s School for the Arts (NC). She has shared the stage as a guest panelist at the Sphinx Connect Conference and Chamber Music America Conference discussing topics of diversity in classical music, and is an Instructor of Teaching Artistry at the Longy School of Music at Bard College.

Ashleigh attended the International Ensemble Modern Academy (IEMA) at the Hochschule für Musik und Darstellende Kunst Frankfurt, a year-long program in Germany focused on the study and performance of contemporary music. As the sole IEMA violist, she studied and performed with members of Ensemble Modern with highlight appearances at IRCAM (Paris), Royaumont Abbeye(France), and the Zentrum für Kunst und Medientechnologie Karlsruhe (Germany). Continuing her new music passion throughout her summers, Ashleigh has participated in numerous festivals in Germany, Austria, France, England and North America including the Britten-Pears Young Artist Programme and 46 Internationale Ferienkurse für Neue Musik in Darmstadt, Germany studying with the Arditti Quartet, Ensemble Modern and Le Nouvel Ensemble Moderne among others. Along with receiving a Master of Contemporary Music degree from IEMA, Ashleigh received degrees in viola performance from the New England Conservatory and Baldwin Wallace University Conservatory of Music. Her primary teachers include Carol Rodland and Louise Zeitlin with supplemental solo and chamber music studies with Stephen Drury, Eric Rosenblith and Mai Motobuchi of the Borromeo String Quartet. She can be heard on chamber music and orchestral recordings under the Mode, Siemens, BMOP/Sound, Navona and Musiques-Suisse record labels.

 

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